Bottomless Holes

More than 10 years ago, I saw a black and white photograph by Richard Avedon that I still vividly remember. It was taken of a young boy in 1947 in Sicily. He was in the foreground smiling broadly and wearing a suit that was too short in the arms and too tight in the waist. In the background—softly out of focus—was a tree with a symmetrical oval canopy and a fence that defined the boundary between sky and water. A seemingly bucolic scene unless you looked carefully at the boy.